The songs that the AI CEO provided to Smith originally had file names full of randomized numbers and letters such as “n_7a2b2d74-1621-4385-895d-b1e4af78d860.mp3,” the DOJ noted in its detailed press release.

When uploading them to streaming platforms, including Amazon Music, Apple Music, Spotify, and YouTube Music, the man would then change the songs’ names to words like “Zygotes,” “Zygotic,” and “Zyme Bedewing,” whatever that is.

The artist naming convention also followed a somewhat similar pattern, with names ranging from the normal-sounding “Calvin Mann” to head-scratchers like “Calorie Event,” “Calms Scorching,” and “Calypso Xored.”

To manufacture streams for these fake songs, Smith allegedly used bots that stream the songs billions of times without any real person listening. As with similar schemes, the bots’ meaningless streams were ultimately converted to royalty paychecks for the people behind them.

  • @LifeInMultipleChoice@lemmy.world
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    54 months ago

    I mean hopefully they’ll drop the case, and fix the underlying issues to ensure the artists get paid, and the scams don’t continue. The world isn’t that nice though is it.

    • @JIMMERZ@lemm.ee
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      44 months ago

      That’s the outcome that seems most logical. I want to see real artists get paid for creating real music. The current system is too prohibitive and unrewarding.

      If an artist spends hundreds of hours and thousands of dollars creating their work, only to see a return of maybe a few dollars that’s a big problem.

      If someone can use AI to game that same system for millions of dollars by creating loads of fake music in a fraction of the time; that’s a symptom of the big problem.

      The current system of streaming just isn’t beneficial to artists. I imagine it’s not great for movies either. Yet, these companies are taking in HUGE profits. It was only a matter of time before someone tried to take advantage of a loophole.

      If you think about it, it’s kind of like reverse piracy.